26.—27. april

Anne Guro Larsmon

(Hun/henne)
Addresse: Hvervenbukta (Søndre Portnerstue), Ljansbrukveien 4a, 1250 Oslo
Etasje: 2
Rom nr: 202
Atelieret er åpent lørdag 26. april kl 12-17

“Her practice is interesting. Basically, her work is abstract, but it nevertheless deals with problems of representation. The way the work navigates the relationship between form and representation is why it is compelling. Usually, abstraction presumes a privileged space over representation, normally arguing that abstraction is the universal language that goes beyond the local or cultural interests that constitute representation, or that abstraction is the rhetorical language that gives objects and things its subjective importance. Anne, in fact, presents the idea of the experience of the object rather than its existential reality. Rather than embracing the hierarchy of form over meaning, Anne’s work problematizes the relationship. This is accomplished by advancing the conditions that allow us to experience objects in the works themselves, hence, context, a core function in representation, remains forefront.”
- Charles Gaines

Skulptur, glass, glassblåsing, metallskulptur, glass skulptur, messing

THE QUEEN, Anne Guro Larsmon, welded steel, laboratory clamps, fused glass, 60 x 49 x 21cm, 2022, QB Gallery
Species I-III, Anne Guro Larsmon, fused glass, straps from Home Depot, 2019, The Magic Hour, Twentynine Palms (Photo; Ben Tong)
BEEHIVE I-II, Anne Guro Larsmon, welded steel, blown glass, 94,5 x 50 x 50 cm, 2023, Hå Prestegård
Snakes on a plane, Anne Guro Larsmon, casted glass, Color; Brilliant Gold, 55 x 20 cm, 2023, Pilchuck Glass School, Seattle (US)

I mitt atelier

Jeg har nettopp flyttet ut hit – ved havet, i en av Portnerstuene. Det er lite, så det blir et research-loft, så må produksjon skje andre steder. Oslo Badstueforening har sauna her, og det er en kafé også!