Andrea Galiazzo
(Han/ham)
Addresse: Villa Romsli, Odvar Solbergs vei 83, 0973 Oslo
Etasje: 1
Rom nr: 10312
Atelieret er åpent lørdag 26. april kl 12-17
My recent practice is based on writing and weaving. Images and words are inspired by the struggle for everyday life and artistic production, referencing the history of labor, and the craft tradition. Turning limitations and obstacles into resources, I explore the blurred boundaries between the private and the public, the visible and the invisible, the serious and the humorous, the urge to engage and the need to reflect and contemplate. Combining generosity and opportunism is a way to think about labor, value, and reciprocity. In an anti-capitalist sense, I search for ways to deconstruct the monumental and the idea of the artist as a male genius.
Installation, textile, mixed media
Andrea Galiazzo, In Broad Daylight We Posed (2020), inkjet-prints on glossy photographic paper, 24 copies in various locations, 15 x 10 cm each. Solo exhibition In Broad Daylight We Posed (2020), Trondhjems Kunstforening, Trondheim. Photo: Nanna Hougaard.
Andrea Galiazzo, What Am I Doing (2020), wall-hanging textile hand-woven on a digital Jacquard loom, worsted wool and mercerised cotton, 220 x 140 cm. Exhibition Høstutstillingen 2022 - Statens 135. Kunstutstilling (2022), Kunstnernes Hus, Oslo. Photo: Vegard Kleven.
Andrea Galiazzo, Gallery of Employees (2020), series of 16 Jacquard-woven portraits, tray frames with laser-engraved aluminum plates, hand-woven ribbons pinned to a wooden ladder. Portraits: wool and cotton, 90 X 55 cm each. Exhibition På ubestemt tid (2021), curated by Marius Moldvær, Start Blokka, Linderud, Oslo. Photo: Øystein Thorvaldsen.
Andrea Galiazzo, Pink Glass Swan (2022), duo exhibition with Marthe Ramm Fortun, HFKD Huset for Kunst og Design, Holstebro DK. Ad hoc enclosed room with drawings on paper pinned to the walls, 18 hand-painted and silkscreen printed silk fabric, 16 of which stitched together, modeling clay sculptures on operating robotic vacuum cleaner, tapestry, performance. Various dimensions and durations. Photo: Jacob Friis-Holm Nielsen.
Planlagte prosjekter og utstillinger
2025 Invitert (8), in collaboration with Dan Perjosvshi, curated by Kirsti van Hoegee, KRAFT, Bergen (upcoming duo).
Group show at the former Haldens Bomuldspinderi & Væveri, Tistedal (upcoming).
CV
2024 Twelve Months, BO Billedkunstnerne i Oslo (The Association of Visual Artists Oslo), Oslo (solo). fluene får øye på oss i det høye gresset, Femtensesse, Oslo. Vestgrensa Kiosk, former Ullevål Kino, Oslo.
2023 PointCounterPoint, curated by First Supper Symposium, Interkulturelt Museum, Oslo.
2022 Pink Glass Swan, with Marthe Ramm Fortun, curated by Anna Margrethe Pedersen, Huset for Kunst go Design, Holstebro, DK (duo). Høstutstillingen 2022 – Statens 135. Kunstutstilling, Kunstnernes Hus, Oslo. Mistakes Were Made: Members Galore, curated by Mathilde Carbel, BO Billedkunstnerne i Oslo.
2021 På ubestemt Tid, curated by Marius Moldvær, Start Blokka, Linderud, Oslo.
2020 In Broad Daylight We Posed, Trondhjems Kunstforening, Trondheim (solo).
2019 Leda og Svanen, in collaboration with Marthe Ramm Fortun for Human Touch, Tegnetriennalen 2019, curated by Helga-Marie Nordby, Tegneforbundet, Oslo. SOG – Strategier for overlevelse og gruppetilhørighet (i tilfelle apokalypsen inntreffer), curated by Beatrice Guttormsen, Nina Björkendal and Patricia Risopatron Berg, Tveten Gård, Oslo. Adjustments, infiltrations and other matters I shouldn’t be concerned about, performance for Listen-In, ROM for Kunst og Arkitektur, Oslo.
2018 Shoes and Cigarettes, Galleri Frychini, Oslo (Solo). Avskygninger, Kristiansand Kunsthall, Kristiansand. Spring Depot, Tenthaus, Oslo. Between the Lines, Reception Gallery, Oslo National Academy of the Arts, Oslo.
2017 Sea(s), curated by Ghalia Elsrakbi and Haytham Nawar, Ionian Arts Center, Kefalonia.
2016 The Bottom Line, curated by Martin Germann and Philippe Van Cauteren, SMAK, Ghent.
2015 Adventure Time is Over, curated by Stefano Arienti, Almanac Inn, Turin. Make your Dream a Reality, performance at the Governor’s Mansion, Ghent. Little Hisk, curated by Ulrike Lindmayr, Hospitaalplein, Antwerp.
2014 Red Dawn, curated by Gertrud Sandqvist, HISK, Ghent. Anonymous Shortcut, site-specific installation, Citadelpark, Ghent. Reviewed, curated by Simon Delobel, Frans Masareel Centrum, Kasterlee.
2013 Citybooks, De Brakke Grond, Amsterdam. Graz Chartres Venedig, curated by Peter Wolf, ORF Gallery, Graz.
2012 Salvo, Annie Gentils Gallery, Antwerp.
2011 NowBelgiumNow, curated by Ulrike Lindmayr and Stella Lohaus, LLS 387, Antwerp.
2010 Orphée (Auto Sacramental), performance curated by Indigo, Nijinski, Brussels.
2009 The Greatest Hit, Colpire il Tempo, curated by GUM Studio, Massa Carrara.
2008 Milestone, curated by Elisa Simionato, Nuovi Segnali 2008, Palazzo Liviano, Padua (solo). IUAV al MAXXI, curated by Cornelia Lauf and Angela Vettese, MAXXI Museum, Rome. Hell on earth: varieties of dystopia, directed by Lewis Baltz and Antonello Frongia, Palazzetto Tito,Venice. Re: public!, curated by Ibrida, Tese di San Cristoforo, Bacini dell’Arsenale, Venice.
2007 Spritz Time!, curated by Milovan Farronato, Fondazione Bevilacqua la Masa, Venice.
2006 Private Eye: a prologue, directed by Nicolas Bourriaud, Moderna Galerija, Ljubljana. 90ma Collettiva giovani, Fondazione Bevilacqua la Masa, Venice.
2005 Something happened, directed by Lawrence Carrol, Ca’ del Duca, Venice. Stai all’erta, directed by Adrian Paci, magazzini Ligabue,, Venice. 358-Riflessioni sul Contemporaneo, curated by Daniela Zangrando, Perarolo, Belluno.
Residencies
2025 For real?, with Harold Offeh, PRAKSIS, Oslo. 2022 TextielLab, working period, TextielMuseum, Tilburg (NL). 2018 Cité internationale des arts, in collaboration with Marthe Ramm Fortun, Paris (F). 2017 Ionian Center for Art and Culture, research residency curated by Sarina Basta, Kefalonia (GR). 2015 Frans Masareel Centrum, working residency, Kasterlee (B). Fondazione Spinola Banna per l’Arte, masterclass with Raimundas Malasauskas and Jason Dodge, Poirino, Turin (I). Fondazione Spinola Banna per l’Arte, masterclass with Stefano Arienti, Poirino, Turin (I). 2013 Frans Masareel Centrum, working residency, Kasterlee (B). Kunsthuis Syb, working residency, Beetsterzwaag (NL). 2012 Fondazione Giorgio Cini, working residency curated by deBuren, Venice (I).
Fellowships, Grants, and Awards
2023-2024 SKS Statens Kunstnerstipend two-years Arbeidsstipend, Kulturrådet, Oslo. 2023 Diversestipend, Kulturetaten, Oslo Kommune. Kulturrådets prosjektstøtte visuell kunst, Kulturfond, Kulturdirektoratet, Oslo. BKV Prosjektstøtte høst, NBK, Oslo. Subsidiert atelier, Kulturetaten, Oslo. 2022 UDs Støtteordning for internasjonale kunsthåndverksprosjekter, Ministry of Foreign Affairs – Norwegian Crafts, Oslo. NK reisestøtte høst, NK, Oslo. BKV Prosjektstøtte høst, NBK, Oslo. NK reisestøtte vår, NK, Oslo. TextielLab development support, TextielMuseum, Tilburg. BKV Billedkunstnernes Vederlagsfond one-year stipend, NBK, Oslo. 2021 Norske Kunsthåndverkeres studentpris, NK, Oslo. 2020 Oslo kommunes krisestipend, BOA, Oslo. Kunstnerassistentordningen, Kulturrådet, Oslo. SKS Diversestipend for nyutdannede kunstnere, Kulturrådet, Oslo. 2015 DE.MO./Movin’Up, MIBACT Ministry of Cultural Heritage and Activities and Tourism, Rome and GAI Giovani Artisti Italiani, Turin. Bourse Artichok, awarded by Bureau International Jeunesse, Brussels. 2007 Studio fellowship 6421, Fondazione Bevilacqua La Masa, Venice. 2004/2009 Scholarship IUAV, Architecture Institute of Venice.
Related Activities
2023 Kunst mot vinden – Kunstsalg i solidaritet med Fosen-aksjonistene, BO Billedkunstnerne i Oslo, Oslo. 2022 MAPS semester review, external sensor, MFA Art and Public Space, Oslo National Academy for the Arts. KOROs studentpris, jury member, Oslo National Academy for the Arts. Copyeditor for Structural Magic, Liv Bugge, Torpedo Press. 2021 Gallery of Employees: A Careful Approach to Social Interactions in the Public Space, lecture for the seminar Go Big or Go Home? Kunsthåndverk i offentlig rom, organised by Johanna Zanon and Norske Kunsthåndverkere, Vega Scene, Oslo. Cast member in Goliat, Draugen & Maria, a film by Liv Bugge, Oslo. 2020. Sound contribution for I don’t have a clue how to become an internet-based ceramicist, podcast curated by Joerg Franzbecker, Oslo National Academy of the Arts, Oslo. 2018 Voice actor for The Other Wild by Liv Bugge, Interkulturelt Museum, Oslo. 2016 Photographer for Stein til Byrden, Marthe Ramm Fortun, Munchmuseet , Oslo. 2015 Print Art Fair, Frans Masareel Centrum, Kasterlee. Photographer for Yesterday was different, Kasper Bosmans and Marthe Ramm Fortun, Komplot, Brussels. 2014 Drawings by the Artist as a Child, lecture at Hungarian Psychological Association, Budapest. MediaWriting, collaborative workshop at OKNO, Brussels. 2013 The Giant Crane from Ghent, performance in collaboration with Lola Bachs Lasurt and Kasper Bosmans, Mechelen. Visiting Professor at Tumo, Center for Creative Technologies, Yerevan. Lecturer at Pop-Up City Live, De Brakke Grond, Amsterdam. 2009 Durham/Galiazzo Interview, sound piece in collaboration with Jimmie Durham for All That Is Solid Melts Into Air, Cultuursite-De Garage, Mechelen. 2007 Interviewer for Talk with me, sound project curated by Achille Bonito Oliva during the 52nd Venice Biennale for RAM Radioartemobile, Venice.
Catalogues and Publications
2024 Johanna Zanon, Curate Your Own Textile Art Exhibition, in Anne Szefer-Karlsen (curated by), Interweaving Structures: Fabric as a Material, Method and Message, KMD UiB, Bergen, Central Museum of Textiles, Łódź, and Archive Books, Berlin. Twelve Months, iOS App, App Store, (https://apps.apple.com/us/app/twelve-months/id6502643421). 2022 Den Nasjonale Jury (curated by), Høstutstillingen 2022 – Statens 135. Kunstutstilling, in Billedkunst, n.3 2022, Norske Billedkunstnere, Oslo. 2020 Joerg Franzbecker (curated by), I don’t have a clue how to become an internet-based ceramicist, Oslo National Academy of the Arts, Oslo. 2019 Tegnetriennalen 2019: Human Touch, in Numer, n. 121, Tegneforbundet, Oslo. 2015 Martin Germann, Philippe Van Cauteren (curated by), The Bottom Line, Mercatodor, Brussels. Make your Dream a Reality, HArt Magazine n. 141, May 2015, Antwerp. Oscar van den Boogaard (curated by), The Institute, HISK, Ghent/Lannoo Publisher, Tielt. 2014 Gertrud Sandqvist (curated by) Red Dawn, HISK, Ghent. 2012 Atte Jongstra, De dood trekt van onderen op. Wandeling in Venetië, hard//hoofd, Amsterdam. 2011 Angela Vettese, Chiara Vecchiarelli (curated by), Visual Arts at IUAV, Venezia 2001-2011, Mousse Publishing, Milan. Fondazione Bevilacqua La Masa (curated by), BLM 02>10, Mousse Publishing, Milan. 2009 Guido Bartorelli, Stefania Schiavon, Giovanni Bianchi, Nuovi Segnali 2008 2009, Area Creatività – Comune di Padova, Padua. 2008 Lewis Baltz, Antonello Frongia (curated by), Hell on earth: varieties of dystopia, IUAV, Venice. Angela Vettese, Cornelia Lauf (curated by), IUAV al MAXXI, Charta Editore, Milan. 2007 Milovan Farronato (curated by), Spritz Time!, Mousse Magazine, Milan. RAM – Radio Arte Mobile (curated by), Talk with me, Rome. 2006 6421 (curated by), 6421 Correspondences 2006-2007 (VOL. I-VI), Venice. Ana Maria Bresciani (curated by), Fine del gioco, IUAV, Venice. Stefano Coletto (curated by), 90ma Collettiva, Fondazione Bevilacqua La Masa, Venice. Renè Gabri, Cesare Pietroiusti (curated by), The two obstructions, Marsilio Editore, Venice. 2005 Daniela Zangrando (curated by), Riflessioni sul contemporaneo, Belluno.
Press
2024 Stian Gabrielsen, Mjaaau, Kunstkritikk, 23/05/2024, Oslo. fluene får øye på oss i det høye gresset at Femtensesse, Art Viewer, Antwerp. 2023 Per Anders Krogh-Vennemo, What Am I Doing av Andrea Galiazzo, Paragone Art History Journal, 19/02/2023, Oslo. 2022 Marthe Ramm Fortun and Andrea Galiazzo at Huset for Kunst & Design, Art Viewer, 26/12/2022, Antwerp. Pink Glass Swan, in contemporaryartlibrary.org, Contemporary Art Library, Los Angeles. Marthe Ramm Fortun & Andrea Galiazzo: Pink Glass Swan, in Det skal du se! uge 46, Kunsten.nu Journal, 15/11/2022, Aarhus, Copenhagen. Mona Pahle Bjerke, Langt mellom toppene på Høstutstillingen, NRK anmeldelse, 13/09/2022, Oslo. Johanna Zanon, Go big or go home? None refleksjoner rundt kunsthåndverk og monumentalitet, Kunsthåndverk, n. 161, issue 1, January 2022, Oslo. 2021 Cecilie Tyri Holt (curated by), Kunsthåndverk, n. 160, issue 3, December 2021, Oslo. Una Mathiesen Gjerde, More is more, Subject, 08/06/2021, Oslo. 2020 Gustav Borgersen, Alle disse bildene er stjålet, Adresseavisen, 27/06/20, Trondheim. Nora Joung, The Drawing Triennial 2019, “Human Touch”, Art-agenda, 09/01/2020, New York. 2019 Andreas Breivik, Føleri og uutslettelige avtrykk, Kunstkritikk, 28/11/19, Oslo. Kåre Bulie, Øvelser fra strekens verden, Klassekampen, 27/11/2019, Oslo. Arve Rød, Tegnetriennalen skjønner tegninga, Dagbladet, 18/11/2019, Oslo. Ina Hagen, The Art World Strikes Back at Misuse of Power, Kunstkritikk, 12/02/2018, Oslo. Septembre Tiberghien, À l’origine était le dessin, Hippocampe n°24, Dec 2015 – Feb 2016, Lyon. Laurence Windels, Drawing | The Bottom Line in het S.M.A.K, wdistrict.be, Oct 2015, Gent. Joris Vergeyle, SMAK: The Bottom Line, De Ochtend, 08/10/2015 Radio 1, Brussels. Tien Kunstenaars Zwaaien Af, HArt Magazine n. 134, November 2014, Antwerp. Laura Herman, Open Studios, review in Metropolis.com, May 2014 Utrecht. Marc Holthof, De Achterkant van de Reclame, HArt Magazine, October 2011, Antwerp. Nicola Setari (curated by), The two obstructions, Janus n. 20, June 2006, Milan.