Jelsen Lee Innocent
(He/him)
Address: Peer Review, Atelier Kunstnerforbundet, Kjeld Stubs gate 3, 0160 Oslo
Floor: 4
Room number: Loft
The studio is open Sunday 27 April from 12-17
Jelsen Lee Innocent (NYC, 1983) is a Haitian-American interdisciplinary artist based in Norway. His research and studio practice examine the lasting impacts of imperialism across social hierarchies, built environments, and consumer culture. Integrating historical records, contemporary media, and material experimentation, his work surfaces narratives that challenge hegemonic structures and open space for alternative imaginaries.
Research, Archives, Sculpture, Textile, Film & Animation, Sound




In my studio
My temporary satellite studio offers a glimpse into both completed and in-progress works, featuring a range of objects, materials, and archival excerpts. Visitors can explore the intersections of my research and practice, with re-formatted texts designed to be accessible and spark conversation.
Planned projects and exhibitions
(Current — 23 Feb) Norway
Solo Show ‘Truth Has No Friends in The West’ at Nitja Senter for Samtidskunst
(Current — 3 March) Norway
‘Confrontation is Key’ Artist Workshop
UngKunst
(19 Feb 2025) Norway
’Nou La: Apertures into Haiti
Filmprogram & boklansering: Jelsen Lee Innocent
Kunstnernes Hus Kino
(19 Feb 2025) Norway
‘Ban m zòrèy ou’ Jelsen Lee Innocent in conversation with Haitian-American filmmaker Lunise Cerin
Book publication & launch
Hverdag Books
(June 2025) Norway
Graduate Show : MFA in Art and Public Space
Kunsthøgskolen i Oslo
CV
Jelsen Lee Innocent
DOB: 2 July 1983
Brooklyn, USA
Based in Norway
Email: jelseninnocent@gmail.com
Phone: (+47) 477 53 787
jelsenjelsenjelsen.com
maroon-methods.cargo.site
Jelsen Lee Innocent (b. 1983, NYC) is a Haitian-American artist based in Norway. His practice explores the impacts of colonial structures and racial capitalism on social and environmental landscapes. Through research-based material experimentation—including reclaimed wood, metals, video collage, and textiles—his work examines power, history, and imperialism, creating spaces for critical reflection.
EDUCATION
Kunsthøgskolen i Oslo (2023–2025), MFA in Art and Public Space, Oslo, Norway
Miami Ad School (2004–2005), Certificate in Art Direction & Design, Miami Beach, FL, USA & Hamburg, DE
RECENT ARTISTIC ACTIVITY
2025
Truth Has No Friends in The West (Solo Exhibition), NITJA Centre for Contemporary Art, Norway
2024
Artist Talk: Liberation and Imagination? Art, Congo, Haiti, and Sudan, MUNCH, Norway
Workshop Series, UngKunst & Ås Kulturskole, Norway
Artistic Director, Black History Month Norway, Norway
Semi-Finalist, KORO Kunstvegger – Skissekonkurranse (Pending Result), Norway
Artist in Residence, Atelier Kunstnerforbundet, Norway
Workshop Series, Astrup Fearnley Museum, Norway
2025
Truth Has No Friends in The West, Solo Exhibition, NITJA Centre for Contemporary Art, Norway
SELECTED EXHIBITIONS
2024
Working on It, Kunsthall Oslo, Norway
(be)longing: å falle mellom to stoler, House of Foundation, Norway
2023
Smithsonian Institute – Men of Change, Birmingham Civil Rights Institute, USA
Smithsonian Institute – Men of Change, Levine Museum of the New South & Harvey B. Gantt Center, USA
Smithsonian Institute – Men of Change, Reginald F. Lewis Museum of Maryland African American History & Culture, USA
2022
Smithsonian Institute – Men of Change, Charles H. Wright Museum of African American History, USA
2021
Smithsonian Institute – Men of Change, African American Museum, USA
We Are Not Myths: Opacities Across Difference, Culture Art Society (CAS) / Art Hub: Thoravej 29, Denmark
Smithsonian Institute – Men of Change, Anacostia Community Museum, USA
2019–2020
Smithsonian Institute – Men of Change, California African American Museum, USA
2019
Smithsonian Institute – Men of Change, Washington State History Museum, USA
2018
Smithsonian Institute – Men of Change, National Underground Railroad Freedom Center, USA
2017
Reflection, Köşk Gallery, Germany
2016
Birth as Criterion, 32nd Biennial of Graphic Arts, Ljubljana, Slovenia
49° Festival: Future Ports of Entry, Iwalewahaus, Universität Bayreuth, Germany