21 & 22 April 2018

Oslo Opens Reference group
Astrup Fearnley Museum for Moderne Art
Atelier Nord
Billedkunstnerne i Oslo og Akershus (BOA)
Forbundet Frie Fotografer (FFF)
Fotogalleriet
Fellesverkstedet
Kunstnernes Hus
The National Museum of Art, Archtecture and Design
Norsk Billedhoggerforening (NBF)
Norske Kunsthåndverkere Oslo og Akershus (NKOA)
Norsk senter for teknologi i musikk og kunst (NOTAM)
Norske tekstilkuntnere/SOFT
Tegnerforbundet (TF)
Young Artists Society (UKS)


Partners
Norwegian Crafts
Atelier
B-Open
OCA
Plot
Subjekt


Supported by
Adam Mickiewicz Institute
Arts Council Norway
City of Oslo, Agency for Cultural Affairs
The Norwegian Ministry of Foreign Affairs

Graff, Ane

Sculpture, performance

Over the past years my art practice has moved between a range of media in an ongoing artistic investigation of materiality. I have explored the nature of matter, the science of materials and the processes of decay and change within organic matter through different angles and methods. As an artistic research fellow at the Academy of Fine Art Oslo, my research project “Why Matter Matters” extends this research and sees it in the light of the new materialisms of feminist science studies, with a focus on issues of identity and touch. What makes the feminist materialisms distinct from other theories in the field is the refusal to see the subject world divided into hierarchies and categories, the importance of maintaining a “we”, and the awareness of the constant transformations and interactions of matter. The artistic research is carried out through a range of media such as sculptural installations, textile works, drawings and performative work.

Member of Kunsthøyskolen i oslo

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Mattering Waves 5
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Mattering Waves 3, detail
Mattering waves install view2
Install view Mattering Waves
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Mattering Waves 1

Planned projects and exhibitions

Soon Enough: Art in Action, Tensta Konsthall (curated by Maria Lind)
Art and Scince, Trondheim Kunstmuseum (curated by Randi Thommessen)
Second Triennial of Beetsterzwaag (curated by Julia Geerlings og Niekloaas Lekkerkerk)

CV

SOLO-EXHIBITIONS (from 2015)

2018 New work, Towards Gallery, Toronto, CA (upcoming)
New Work, 1857, Oslo, NO (upcoming)
2017 Mattering Waves, Entreé NY, Elizabeth Dee Gallery, NY, USA
2015 The Hungry Eye, Kunstnerforbundet/ The Artists’ Association, Oslo, NO

GROUP EXHIBITIONS (from 2015)

2018 Second Triennial of Beetsterzwaag (curated by Julia Geerlings og Niekolaas
Lekkerkerk)
Art and Science, curator Randi Thommessen, Trondheim Kunstmuseum, NO
Soon enough: Art in action, curator Maria Lind, Tensta Konsthall, Spånga, SE
2017 Pluss Pluss, curator Helle Siljeholm, Black Box Teater, Oslo, NOR
Skulpturbiennalen, Vigeland-museet, curator Steffen Håndlykken, Oslo, NO
Myths of the Marble, curators Milena Høgsberg & Alex Klein, Henie Onstad
Kunstsenter, NO
Myths of the Marble, curators Milena Høgsberg & Alex Klein, ICA Philadelphia, USA
2016 The 11th Gwangju Biennale “The Eight Climate (What Does Art Do?)”, curator Maria
Lind, Gwangju, South Korea
Form Matters, Matter Forms, A Palazzo Gallery, Brescia, IT
Electron Sea, presentation at Independent Brussels curated by 1857, Brussels, BE
Treasures, curator Knut Ljøgodt, Northern Norway Art Museum, Tromsø, NO
2015 2015 Triennial: Surround Audience, curators Lauren Cornell & Ryan Trecartin, New
Museum, NY
Kuppelkupp, Frida Hansen- Art Nouveau in Full Bloom, curator Hanne Beate
Ueland, Stavanger Art Museum, Stavanger, NO
Distant Moods in a Blue Evening, curator Inga Steimane, Cesis Art Festival, Riga,LV

Open on: Saturday

Address

Fossveien 24, 0551 Oslo
Birkelunden